O Regresso dos Dinossauros - Temas de bandas de outros tempos...

Mário Franco escreveu:

Esta é do tempo em que ouvíamos música sem Hi-Fi mas com muita dinâmica e é dedicada ao amigo Gonçalo

Só tinha um mérito a senhora, à época era

hoje é

Goansipife escreveu:

Só tinha um mérito a senhora, à época era

hoje é

Desmancha prazeres

Mário Franco escreveu:

Muito bom e não conhecia de todo.

Uma das obras primas dos anos 80.

ENORME!

Isto também merece aparecer aqui:

miguelbarroso escreveu:

Isto também merece aparecer aqui:

Claro que merece é de um álbum de culto!

Não vale ripar...

Não conhecia esta compilação que vale a pena escutar.

Este tributo dos OMD aos Kraftwerk é simplemente genial. Aliás como todo o álbum!

Este é de fazer chorar as pedras da calçada...

Descobri esta semana, para meu grande agrado, o primeiro álbum de Michael Chapman, "Rainmaker" de 1969.

É impressionante como falam tanto do Bob Dylan e deixaram cair esta pérola no esquecimento.

Para ouvir, do principio ao fim...

ReadySetSlow escreveu:

Descobri esta semana, para meu grande agrado, o primeiro álbum de Michael Chapman, "Rainmaker" de 1969.

É impressionante como falam tanto do Bob Dylan e deixaram cair esta pérola no esquecimento.

Para ouvir, do principio ao fim...

Muito pertinente!

por aqui roda este belíssimo disco.

Álbum de referência dos anos 80.

Para os mais novos por favor não o deixem de ouvir. Os mais velhos, se não ouviram é porque só ouviam #&&%%$ e já não têm remédio.

Neste caso da dinossaura

Deixo aqui este enorme trabalho. Conhecido de muitos e desconhecida da maioria. Quase que poderia estar incluído nas propostas clássicas.

Moondog is the fifth album by American composer Moondog.

Moondog had released no music for twelve years since his 1957 album The Story of Moondog. Finally, in 1969, producer James William Guercio invited him to record an album for Columbia Records.[1]

The resulting album compiled various music which Moondog had been working on since the 1950s. This included two "minisyms" (Moondog's term for short symphonic-styled works performed by small orchestras); two canons; a chaconne in memory of Charlie Parker; ballet music originally written for Martha Graham ("Witch of Endor"); and three symphonic (or "symphonique") works, one of which was dedicated to Benny Goodman and featured elements of swing. A version of one composition, "Theme", had previously been recorded for Epic Records in 1952.[1]

The album has been re-released twice as a 2-for-1 CD combining Moondog and Moondog 2: once by CBS in 1989, and once by Beat Goes On Records in 2001.

The album has also been re-released on vinyl LP for Record Store Day 2017.

E já passaram 30 anos desde o lançamento deste belo disco.

Tema enorme este!

Esta banda abandonada pelo tempo fez coisas maravilhosas.

Vale bem a pena ouvir e arranjar uns discos destes enorme músicos.

Grande tema!

Um tesouro desta banda de referência.

Um enorme talento que por aqui não é esquecido.  

Basho was born in Baltimore, Maryland, and was orphaned as an infant. Adopted by the Robinson family, Daniel Robinson, Jr. attended Catholic Schools in the Archdiocese of Baltimore and was prepared for college at Saint James School—an Episcopal school—in Western Maryland. He went on to study at University of Maryland College Park. Although he played the euphonium in the high school band and sang in middle school and high school ensembles, his interest in acoustic guitar grew during his college years, as a direct result of his friendships with fellow students John Fahey, Ed Denson, and Max Ochs. In 1959, Basho purchased his first guitar and immersed himself in Asian art and culture. It was around this time that he changed his name to Basho, in honor of the Japanese poet, Matsuo Bashō.[1]

Basho's vision was to see the steel string become a concert instrument and to create a raga system for America. During a radio interview in 1974, promoting his album Zarthus, Basho discussed his music in detail. He described how he had gone through a number of "periods" related to philosophy and music, including Japanese, Hindu, Iranian and Native American. Zarthus represented the culmination of his "Persian period". Basho asserted his wish, along with John Fahey and Leo Kottke, to raise the steel-string guitar to the level of a concert instrument. He acknowledged that the nylon-string guitar was suitable for "love songs", but its steel counterpart could communicate "fire".

Basho credited his interest in Indian music to hearing Ravi Shankar, whom he first encountered in 1962. Basho died unexpectedly at the age of 45 due to a freak accident during a visit to his chiropractor, where an "intentional whiplash" experiment caused blood vessels in his neck to rupture, leading to a fatal stroke

Doc and Sally inside
They're cooking for the down five
Who's staring at Miss Rayon
Who's busy licking up her pig pen
I'm searching for my mainline
I said I couldn't hit it sideways
I said I couldn't hit it sideways
Oh, just like Sister Ray said
Whip it on
Rosie and Miss Rayon
They're busy waiting for her booster
Who just got back from Carolina
She said she didn't like the weather
They're busy waiting for her sailor
Who's big and dressed in pink and leather
He's just here from Alabama
He wants to know a way to earn a dollar
I'm searching for my mainer
I said I couldn't hit it sideways
I couldn't hit it sideways
Oh, just like Sister Ray said
Play it on
Cecil's got his new piece
He cocks and shoots it between three and four
He aims it at the sailor
Shoots him down dead on the floor
Oh, you shouldn't do that
Don't you know you'll stain the carpet?
Now don't you know you'll stain the carpet
And by the way, have you got a dollar?
Oh, no, man, I haven't got the time-time
Too busy sucking on a ding-dong
She's busy sucking on my ding-dong
Oh, she does just like Sister Ray said
I'm searching for my mainline
I said I c-c-c-ouldn't hit it sideways
I c-c-c-c-c-c-couldn't hit it sideways
Oh do it, do it, oh just, just, just do it, bless Sister Ray sir, go on!
Oh
Now, who is that knocking?
Who's knocking at my chamber door?
Now could it be the police?
They come and take me for a ride-ride
Oh, but I haven't got the time-time
Hey, hey, hey, she's busy sucking on my ding-dong
She's busy sucking on my ding-dong
Oh, now, do it just like Sister Ray said
I'm searching for my mainline
I couldn't hit it sideways
I couldn't hit it sideways
Oh, now, just like
Oh, just like
Oh, just like
Oh, just like
Oh, just like
Oh, just like
Doc and sally inside, now move it along!
Cooking for the down five
Who's staring at Miss Rayon, do it, do it, do it, do it, do it!
licking up pig pen
I've been s-s-s-s-searching for my mainline
I couldn't hit it sideways
I couldn't hit it sideways
Just like
Oh, just like, do it, do it, do it!
Just like
Just like that
Just like
Now Rosie and Miss Rayon
They're busy waiting for her booster
She's just back from Carolina
She says she's bound to meet a sailor
I said you haven't got the time-time
You're busy sucking on my ding-dong
You're busy sucking on my ding-dong
Now, just like Sister Ray said
I'm searching for my mainline
I said I couldn't hit it sideways
Whip it on me Jim, whip it on me Jim
Whip it on me Jim, whip it on me Jim
Said I couldn't hit it sideways, oh, do it!
Yeah, just like, yeah just like Sister Ray said
I said now Cecil's got his new piece
He cocks and shoots it, bang! between three and four
He aims it at the sailor
He shoots him down dead on the floor
Oh, you shouldn't do that, don't you know you'll hit the carper, don't you know you'll mess the carpet
Oh, she hasn't got the time-time
Busy sucking on his ding-dong
She's busy sucking on his ding-dong
Yeah, just like Sister Ray said
I'm searching for my mainline
Couldn't hit it sideways
Couldn't hit it sideways
Now just like
Now just like
Now just like, like Sister Ray said, now do it to him!
Doc and Sally inside
They're busy cooking for the down five, oh
Who's staring at Miss Rayon
Busy licking up her pig pen
I'm busy searching for my mainline
I said I couldn't hit it sideways
I said I couldn't hit it sideways
Now just like
Now just like
I said oh, oh, just like
Am-ph-ph-ph-ph-phetamine

Então toma lá mais deles, numa versão mais próxima de nós e sem os saudosos Keith Moon e John Entwistle

Goansipife escreveu:

Então toma lá mais deles, numa versão mais próxima de nós e sem os saudosos Keith Moon e John Entwistle

O tempo passa....

Tema intemporal

Funk do melhor.

Este tema é para os meninos que andaram destruídos com Direito Straits e coisas do género. Lançado em Março de 1982.

White album!

Estes XTC fizeram coisas excelentes!

Brutal! David Bowie continua a fascinar-me.

Esta pérola da minha adolescência já tem 36 anos...

Faust - It's a Rainy Day (Sunshine Girl) 1972

O grupo foi formado em 1971 na zona rural de Wümme, Alemanha. A banda assinou um lucrativo contrato com a Polydor e em seguida gravou seu álbum de estréia, "Faust", que vendeu modestamente, mas recebeu elogios da crítica por sua proposta inovadora, além de atrair fãs devotados. Faust se tornou uma das primeiras bandas internacionalmente apreciadas do gênero que ficou conhecido como krautrock.

Faust foi um dos primeiros artistas a assinar com o selo Virgin Records, de Richard Branson, que com uma campanha de marketing um tanto audaciosa para a época pretendia introduzir o grupo no mercado britânico. "The Faust Tapes" foi um álbum de colagens sonoras feitas a partir de um extenso acervo de gravações pessoais originalmente não destinadas para lançamento comercial, mas hoje é considerado um dos seus melhores trabalhos e, talvez, seja o primeiro disco de um grupo pop a ser totalmente elaborado como o que hoje é conhecido como sampling (uma forma muito comum de composição, bastante apreciada por DJ's e rappers). A Virgin Records o lançou pelo preço de um single e o álbum acabou vendendo 100.000 cópias, mas por ser muito barato foi considerado inelegível para as paradas de discos.

O Faust se desfez em 1975 após a Virgin rejeitar seu quinto álbum (algumas faixas desse trabalho apareceram mais tarde em "Munich and Elsewhere"), mas relançamentos de suas gravações anteriores e material inédito foram editados pela Recommended Records, de Chris Cutler, o que ajudou a manter o interesse do público e da crítica pelo grupo ao longo dos anos.

Concerto histórico este!

...muito bom Sr. Bowie!

There are tins
There was pork
There are legs
There are sharks
There was john
There are cliffs
There was mother
There's a poker
There was you
Then there was you.
There are scenes
There are blues
There are boots
There are shoes
There are turks
There are fools
They're in lockers
They're in schools
There in you
Then there was you
Burn my fingers
Burn my toes
Burn my uncle
Burn his books
Burn his shoes
Cook the leather
Put it on me
Does it fit me or you?
It looks tight on you

Teledisco raro dos Kraftwerk.

Um dos mais clássicos de sempre.

Já não é a primeira vez que roda por aqui.

Um clássico.

Ainda hoje oiço este primeiro discos dos "In Excess" alargado agrado.